{"id":763849,"date":"2006-11-20T00:00:00","date_gmt":"2006-11-20T00:00:00","guid":{"rendered":"http:\/\/archives.gov.by\/en\/?page_id=763849"},"modified":"2006-11-20T00:00:00","modified_gmt":"2006-11-20T00:00:00","slug":"music","status":"publish","type":"page","link":"https:\/\/archives.gov.by\/en\/welcome-to-the-archives-of-belarus-website\/subject-guides-to-archival-records\/historical-events\/archival-documents-and-materials-3\/archival-documents-and-materials-on-the-war\/lists-of-fonds-collections-documents-relating-to-the-great-patriotic-war-in-the-state-archives-of-the-republic-of-belarus\/music","title":{"rendered":"Music"},"content":{"rendered":"

Works of Belarusian composers<\/h2>\r\n\r\n\r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n
Author<\/b><\/td>\r\n Name of work and type of document<\/b><\/td>\r\n Date of creation<\/b><\/td>\r\n Fond\/Inventory number<\/b><\/td>\r\n File\/Folio number<\/b><\/td>\r\n
Berger \u041c.\u0410. <\/td>\r\n ‘Pesnya ab shchastsi’<\/em> (‘The Song of Happiness’). For voice and piano. Lyrics by\r\n A. Astapenko. Autograph<\/dt>\r\n \r\n <\/td>\r\n 5 May 1944 <\/td>\r\n 256\/1<\/td>\r\n 11\/1-3<\/td>\r\n <\/tr>\r\n
Berger \u041c.\u0410. <\/td>\r\n ‘Pesnya Palanyanki’<\/em> (‘A Song of the Prisoner’) and ‘Noch Atulila Zyamlyu’<\/em>\r\n (‘The Night has Covered the Earth’), lyrics by M. Mashara. ‘Vyasna’<\/em>\r\n \u00a0(‘Spring’) lyrics by A. Astapenko. ‘Ty Chakay’ <\/em>(‘Wait for Me’) lyrics by K.\r\n Simonov, translated from Russian into Belarusian by M. Mashara.\u00a0 Songs for solo voice\r\n accompanied by piano. Musical notation<\/dt>\r\n \r\n <\/td>\r\n 1944 <\/td>\r\n 256\/1<\/td>\r\n 11\/11-21<\/td>\r\n <\/tr>\r\n
Bogatyrev A.V.<\/td>\r\n ‘Leningradtsy<\/em>‘ (‘Leningrad Citizens’). Cantata. Solo for baritone. Clavier.\r\n Variations. Autograph <\/dt>\r\n \r\n <\/td>\r\n 1941 <\/td>\r\n 416\/1<\/td>\r\n 314\/1-2<\/td>\r\n <\/tr>\r\n
Bogatyrev A.V.<\/td>\r\n ‘My Vernemsya’<\/em> (‘We shall Come Back’). Song for solo and chorus accompanied by\r\n piano. Lyrics by M. Tank. Clavier. Autograph <\/dt>\r\n \r\n <\/td>\r\n 1941 <\/td>\r\n 99\/3<\/td>\r\n 88\/1-2<\/td>\r\n <\/tr>\r\n
Bogatyrev A.V.<\/td>\r\n ‘Kantata Partyzan’ <\/em>(‘The Partisans Cantata’). Lyrics by Ya. Kupala.\r\n Autograph\u00a0 <\/dt>\r\n \r\n <\/td>\r\n 1942-1943 <\/td>\r\n 99\/3<\/td>\r\n 8\/1-14<\/td>\r\n <\/tr>\r\n
Yefimov V.A.<\/td>\r\n ‘Partyzanskiya Chastushki<\/em>‘ (‘Partisans Chastooshki’). Vocal duet accopmpanied\r\n by piano and bayan. Lyrics by the Minsk partisans <\/dt>\r\n \r\n <\/td>\r\n 1942 <\/td>\r\n 134\/1<\/td>\r\n 15\/1-4<\/td>\r\n <\/tr>\r\n
Yefimov V.A.<\/td>\r\n ‘Da Matsi<\/em>‘ (‘To the Mother’). Song for voice accompanied by piano. Lyrics by M.\r\n Mashara. Autograph <\/dt>\r\n \r\n <\/td>\r\n 1942 <\/td>\r\n 134\/1<\/td>\r\n 19\/1-2<\/td>\r\n <\/tr>\r\n
Yefimov V.A.<\/td>\r\n ‘My sustrenemsya’<\/em> (‘We Shall Meet’). <\/b>Song for voice accompanied by\r\n piano. Lyrics by A. Astreyko.\u00a0 Autograph<\/dt>\r\n \r\n <\/td>\r\n [1942-1943]<\/td>\r\n 134\/1<\/td>\r\n 20\/1-2<\/td>\r\n <\/tr>\r\n
Yefimov V.A.<\/td>\r\n ‘U groznyh bayah<\/em>‘ (‘In the Severe Battles’).<\/b>\u00a0 Song for chorus with\r\n symphony orchestra and the chorus accompanied by piano. Lyrics by M. Klimkovich. Score.\r\n Autograph, manuscript <\/dt>\r\n \r\n <\/td>\r\n 1944 <\/td>\r\n 134\/1<\/td>\r\n 3\/1-7<\/td>\r\n <\/tr>\r\n
Yefimov V.A.<\/td>\r\n ‘Partyzanskiya chastushki’<\/em> (‘Partisans Chastooshki’). Song for two-voice chorus\r\n accompanied by piano and bayan. Folk lyrics. Clavier. Manuscript\u00a0 <\/dt>\r\n \r\n <\/td>\r\n 1945 <\/td>\r\n 99\/3<\/td>\r\n 133\/1-2<\/td>\r\n <\/tr>\r\n
Zolotarev V.A. <\/td>\r\n ‘Ak-Gul’<\/em>.\u00a0Opera. Fragments from the score. Autograph<\/dt>\r\n \r\n <\/td>\r\n 1941 <\/td>\r\n 143\/1<\/td>\r\n 18-22<\/td>\r\n <\/tr>\r\n
Zolotarev V.A. <\/td>\r\n Symphony No 5 “1941”, C minor.\u00a0Score. Autograph<\/dt>\r\n \r\n <\/td>\r\n 1941 <\/td>\r\n 143\/1<\/td>\r\n 102-105<\/td>\r\n <\/tr>\r\n
Zolotarev V.A. <\/td>\r\n Suite about Navoi. For voice and small symphony orchestra. Clavier. Score. Autograph<\/dt>\r\n \r\n <\/td>\r\n 1941 <\/td>\r\n 143\/1<\/td>\r\n 135-137<\/td>\r\n <\/tr>\r\n
Zolotarev V.A. <\/td>\r\n ‘Zbroi ne skladzem’<\/em> (‘We shall not Surrender Weapons’). Song for voice\r\n accompanied by piano. Lyrics by A. Astreyko. Print edition <\/dt>\r\n \r\n <\/td>\r\n 1942 <\/td>\r\n 143\/1<\/td>\r\n 286\/1-8<\/td>\r\n <\/tr>\r\n
Zolotarev V.A. <\/td>\r\n Concert for cello and orchestra. Score. Typer’s autograph <\/dt>\r\n \r\n <\/td>\r\n 1943 <\/td>\r\n 143\/1<\/td>\r\n 211-216<\/td>\r\n <\/tr>\r\n
Klumov A.K.<\/td>\r\n ‘Zhenidba fritza<\/em>‘ (‘A Wedding of a German Soldier’). Musical comedy. Libretto\r\n by A. Astreyko and V. Nefeda. Scene from Act III. Clavier. Score. Autograph <\/dt>\r\n \r\n <\/td>\r\n 1944 <\/td>\r\n 29\/1<\/td>\r\n 8-

9<\/td>\r\n <\/tr>\r\n

Klumov A.K.<\/td>\r\n ‘Partyzanskaya kavaleryiskaya’ <\/em>(‘The Partisans Cavalry Song’). Song for chorus\r\n accompanied by piano. Lyrics by A. Astreyko. Autograph <\/dt>\r\n \r\n <\/td>\r\n [1941-1943]<\/td>\r\n 99\/3<\/td>\r\n 19\/1-4<\/td>\r\n <\/tr>\r\n
Klumov A.K.<\/td>\r\n ‘Partyzanskaya pesnya<\/em>‘ (‘Partisan\u00a0 Song’). For four-voice chorus\u00a0 and\r\n symphony orchestra. Lyrics by Ya. Kupala. Score. Autograph <\/dt>\r\n \r\n <\/td>\r\n [1941-1943]\u00a0<\/td>\r\n 29\/1<\/td>\r\n 38\/1-2<\/td>\r\n <\/tr>\r\n
Klumov A.K.<\/td>\r\n Concert for piano and orchestra.\u00a0 Score<\/dt>\r\n \r\n <\/td>\r\n [1941-1943]<\/td>\r\n 29\/1<\/td>\r\n 15\/1-40<\/td>\r\n <\/tr>\r\n
Klumov A.K.<\/td>\r\n ‘My idzyom, Belarus<\/em>‘ (‘We are Coming, Belarus’). Song for mixed chorus. Lyrics\r\n by P. Brovka <\/dt>\r\n \r\n <\/td>\r\n [1941-1943]<\/td>\r\n 99\/3<\/td>\r\n 18\/1-4<\/td>\r\n <\/tr>\r\n
Klumov A.K.<\/td>\r\n ‘Nad magilayu druga’<\/em> (‘At a Friend’s Grave’). Song for male voice accompanied\r\n by piano. Lyrics by Ya. Kolas. Dedicated to the memory of Ya. Kolas. Autograph <\/dt>\r\n \r\n <\/td>\r\n [1942]<\/td>\r\n 29\/1<\/td>\r\n 26\/1-2<\/td>\r\n <\/tr>\r\n
Klumov A.K.<\/td>\r\n ‘Belorusskaya syuita<\/em>‘ (‘Belarusian Suite’) for symphony orchestra. Score.\r\n Autograph <\/dt>\r\n \r\n <\/td>\r\n [1943-1944]<\/td>\r\n 29\/1<\/td>\r\n 11\/1-35<\/td>\r\n <\/tr>\r\n
Klumov A.K.<\/td>\r\n ‘Lyavonikha’<\/em>, ‘Oy, u poli vyarba’, ‘Oi, ty, rechanka’, ‘Payshou Yas’, ‘U\r\n mesyatsy verasni…’, ‘Khlopets pashanku pakhae’<\/em>. Belarusian folk songs for voice and\r\n chorus accompanied by piano. Autograph <\/dt>\r\n \r\n <\/td>\r\n [1943-1944]<\/td>\r\n 29\/1<\/td>\r\n 48-50, 52-53,\u00a0 55<\/td>\r\n <\/tr>\r\n
Lukas D.A., Polonsky S.V.<\/td>\r\n ‘Pesnya o Vitebske<\/em>‘ (‘The Song about Vitebsk’). Song for voice accompanied by\r\n piano. Lyrics by M. Klimkovich. Autograph <\/dt>\r\n \r\n <\/td>\r\n 27 December 1943<\/td>\r\n 139\/1<\/td>\r\n 119\/1-1\u043e\u0431.<\/td>\r\n <\/tr>\r\n
Lukas D.A.<\/td>\r\n ‘U razbitogo karyta’<\/em> (‘To be Left with Nothing’). Naple song for high voice and\r\n piano. Lyrics by E. Sashin. Autograph\u00a0 <\/dt>\r\n \r\n <\/td>\r\n 1943<\/td>\r\n 139\/1<\/td>\r\n 118\/1-4<\/td>\r\n <\/tr>\r\n
Lukas D.A.<\/td>\r\n ‘Kasar’ <\/em>(‘A Scyther’). Song for voice and piano. Lyrics by\u00a0 Mashara.\r\n Autograph <\/dt>\r\n \r\n <\/td>\r\n 29 January 1944<\/td>\r\n 139\/1<\/td>\r\n 120\/1-2<\/td>\r\n <\/tr>\r\n
Lukas D.A. <\/td>\r\n Three hymns for\u00a0 six- and four-voice mixed chorus and piano composed for the\r\n contest on the Belarusian anthem. Autograph <\/dt>\r\n \r\n <\/td>\r\n 1944 <\/td>\r\n 139\/1<\/td>\r\n 74\/1-3<\/td>\r\n <\/tr>\r\n
Lukas D.A.<\/td>\r\n ‘Kastus Kalinouski<\/em>‘. Opera. Clavier. Autograph <\/td>\r\n 1944-1945<\/td>\r\n 139\/1<\/td>\r\n 13-17<\/td>\r\n <\/tr>\r\n
Lyuban I.I.<\/td>\r\n ‘Nesterka’<\/em>. Music to the play staged at the Ya. Kolas Theatre. Clavier.\r\n Autograph <\/dt>\r\n \r\n <\/td>\r\n [1941]<\/td>\r\n 303\/1<\/td>\r\n 43\/1-4;

46\/1-34<\/td>\r\n <\/tr>\r\n

Lyuban I.I.<\/td>\r\n ‘Nash tost<\/em>‘ (‘Our Toast’). Song for solo, mixed two-voice chorus and symphony\r\n orchestra. Lyrics by M. Kosenko. Score. Autograph\u00a0 <\/dt>\r\n \r\n <\/td>\r\n May 1942<\/td>\r\n 303\/1<\/td>\r\n 303\/1-3<\/td>\r\n <\/tr>\r\n
Lyuban I.I.<\/td>\r\n Music to the film “Belarusian Concert” by M. Sadkovich and V. Korsh-Sablin.\r\n Clavier. Autograph <\/dt>\r\n \r\n <\/td>\r\n 1944 <\/td>\r\n 303\/1<\/td>\r\n 33\/1<\/td>\r\n <\/tr>\r\n
Podkovyrov P.P.<\/td>\r\n Quartet No 2 for two violins, viola and cello in four parts. Variations. Autograph <\/dt>\r\n \r\n <\/td>\r\n 1941 <\/td>\r\n 247\/1<\/td>\r\n 42-43<\/td>\r\n <\/tr>\r\n
Podkovyrov P.P.<\/td>\r\n Concert for violin with orchestra. Clavier. Score. Autograph <\/dt>\r\n \r\n <\/td>\r\n 1941<\/td>\r\n 247\/1<\/td>\r\n 31\/1-72<\/td>\r\n <\/tr>\r\n
Podkovyrov P.P.<\/td>\r\n ‘Devichya pesnya<\/em>‘ (‘The Maiden’s Song’). Romance song for high voice\r\n accompanied by piano. Lyrics by M. Isakovsky. Autograph <\/dt>\r\n \r\n <\/td>\r\n 1944 <\/td>\r\n 247\/1<\/td>\r\n 81\/1<\/td>\r\n <\/tr>\r\n
Podkovyrov P.P.<\/td>\r\n ‘Zlaya Dolya’ (I Bogata Ya, i Krasiva Ya’), ‘Cherevichki<\/em>‘. Romance songs for\r\n voice accompanied by piano. Lyrics by T. Shevchenko. Autograph <\/dt>\r\n \r\n <\/td>\r\n 1944 <\/td>\r\n 247\/1<\/td>\r\n 82\/1-9<\/td>\r\n <\/tr>\r\n
Podkovyrov P.P.<\/td>\r\n Five nocturnes for piano. Variations. Autograph <\/dt>\r\n \r\n <\/td>\r\n 1944 <\/td>\r\n 247\/1<\/td>\r\n 46\/1-9<\/td>\r\n <\/tr>\r\n
Podkovyrov P.P.<\/td>\r\n ‘Ty Budesh Zhit’, ‘Shla Noch<\/em>‘. Romance songs for voice accompanied by piano.\r\n Lyrics by M. Mashara, M. Klimkovich. Autograph <\/dt>\r\n \r\n <\/td>\r\n 1944 <\/td>\r\n 247\/1<\/td>\r\n 84-85<\/td>\r\n <\/tr>\r\n
Podkovyrov P.P.<\/td>\r\n ‘Ballada o Chetyryoh Zalozhnikah<\/em>‘. Cantata for soprano, mezzosoprano, bass,\r\n chorus and symphony orchestra. Lyrics by A. Kuleshov (text in Russian and Belarusian).\r\n Clavier. Autograph <\/dt>\r\n \r\n <\/td>\r\n 1944-1945<\/td>\r\n 247\/1<\/td>\r\n 67-68<\/td>\r\n <\/tr>\r\n
Podkovyrov P.P.<\/td>\r\n ‘Z Tretsim Tipenya, Tavarishch<\/em>‘. Song for two-voice chorus accompanied by\r\n piano. Lyrics by A. Astreiko. Autograph <\/dt>\r\n \r\n <\/td>\r\n 1945 <\/td>\r\n 247\/1<\/td>\r\n 75\/1<\/td>\r\n <\/tr>\r\n
Polonsky S.V.<\/td>\r\n ‘Nash Tovarishch Komissar’, ‘Pesnya o Nekrasovtsah’<\/em>. Songs for chorus\r\n accompanied by piano. Lyrics by V. Lebedev-Kumach, L. Kondyrev. Autograph\u00a0 <\/dt>\r\n \r\n <\/td>\r\n 1941 <\/td>\r\n 30\/1<\/td>\r\n 150, 152<\/td>\r\n <\/tr>\r\n
Polonsky S.V.<\/td>\r\n ‘Gvardeyskaya Artilleriyskaya’, ‘Gvardeyskaya<\/em>‘. Songs for chorus accompanied by\r\n piano. Lyrics by L. Kondyrev, S. Vasilyev. Autograph <\/dt>\r\n \r\n <\/td>\r\n 1941-1942<\/td>\r\n 30\/1<\/td>\r\n 138-139 <\/td>\r\n <\/tr>\r\n
Polonsky S.V.<\/td>\r\n ‘Adpomstim’, ‘Belaruskaya Partizanskaya’, ‘Vyadze nas pomsta’, ‘Partyzanskaya\r\n Pesnya’, ‘Stselyutstsa tumany<\/em>‘. Songs for chorus accompanied by piano. Lyrics by Ya.\r\n Kupala, M. Tank, A. Kuleshov. Autograph\u00a0 <\/dt>\r\n \r\n <\/td>\r\n 1941-1944<\/td>\r\n 30\/1<\/td>\r\n 205-207, 211, 213<\/td>\r\n <\/tr>\r\n
Polonsky S.V.<\/td>\r\n ‘Yevreyskaya Melodiya’<\/em> (The Jewish Melody’). Song for chorus accompanied by\r\n piano. Lyrics by M. Lermontov. Autograph\u00a0 <\/dt>\r\n \r\n <\/td>\r\n 4 January 1942 <\/td>\r\n 30\/1<\/td>\r\n 47\/1-2<\/td>\r\n <\/tr>\r\n
Polonsky S.V.<\/td>\r\n ‘Kapriz’<\/em> (‘AWhim’). Solo for tube accompanied by piano. Autograph <\/dt>\r\n \r\n <\/td>\r\n May 1942 <\/td>\r\n 30\/1<\/td>\r\n 20\/1-11<\/td>\r\n <\/tr>\r\n
Polonsky S.V.<\/td>\r\n ‘Shli Baltiytsy<\/em>‘. Song for male voice chorus a cappella. Lyrics by M. Braun.\r\n Autograph <\/dt>\r\n \r\n <\/td>\r\n May 1942<\/td>\r\n 30\/1<\/td>\r\n 163\/1-12<\/td>\r\n <\/tr>\r\n
Polonsky S.V.<\/td>\r\n ‘Lyzhnaya Boevaya<\/em>‘. Song for chorus accompanied by\r\n piano.\u00a0 Lyrics by A. Smerdov. Autograph <\/td>\r\n 1942 <\/td>\r\n 30\/1<\/td>\r\n 146\/1-2<\/td>\r\n <\/tr>\r\n
Polonsky S.V.<\/td>\r\n ‘Flotskaya Plyasovaya’, ‘Flotskaya Garmon<\/em>‘. Songs for male solo and male chorus\r\n \u00a0accompanied by piano. Lyrics by V. Malkov, D. Sedykh. Autograph <\/dt>\r\n \r\n <\/td>\r\n [1942]<\/td>\r\n 30\/1<\/td>\r\n 161\/1-6<\/td>\r\n <\/tr>\r\n
Polonsky S.V.<\/td>\r\n ‘Dzed Talash’<\/em> lyrics by A. Surkov, translated from Russian into Belarusian by\r\n M. Mashara; ‘Na Zahad’<\/em> and ‘Pesnya Pomsty<\/em>‘ lyrics by M. Mashara; ‘Pesnya’\r\n <\/em>lyrics by P. Glebka, ‘Razlyuli-lyuli, malina<\/em>‘ lyrics by K. Krapiva, ‘Shumel\r\n Dozhdik v Nochnom Polumrake’<\/em> (folk lyrics). Songs for voice accompanied by piano.\r\n Autograph<\/dt>\r\n \r\n <\/td>\r\n 1943 <\/td>\r\n 30\/1<\/td>\r\n 208-210, 212, 214<\/td>\r\n <\/tr>\r\n
Polonsky S.V.<\/td>\r\n ‘Slushai, Belorussia’.<\/em> Song for mixed chorus. Lyrics by P. Brovka. Autograph <\/dt>\r\n \r\n <\/td>\r\n 1943 <\/td>\r\n 99\/3<\/td>\r\n 22\/1-2<\/td>\r\n <\/tr>\r\n
Polonsky S.V.<\/td>\r\n Songs from the cycle ‘Voronezhskiy Front’: ‘Afanasiy-Broneboishchik’ <\/em>and\r\n ‘Frontovaya<\/em>‘ lyrics by I. Frenkel, ‘Voendevushka Pervogo Ranga<\/em>‘ lyrics by A\r\n Pervomaiskiy. Songs for voice accompanied by piano. Autograph. Print \u00a0 <\/dt>\r\n \r\n <\/td>\r\n 1943 <\/td>\r\n 30\/1<\/td>\r\n 130, 134, 160<\/td>\r\n <\/tr>\r\n
Pukst G.K.<\/td>\r\n Symphony No 2. Parts 1-4. Clavier. Score. Autograph <\/dt>\r\n \r\n <\/td>\r\n 1940-1943 <\/td>\r\n 10\/1<\/td>\r\n 7-11<\/td>\r\n <\/tr>\r\n
Pukst G.K..<\/td>\r\n ‘Rana<\/em>‘ (‘The Wound’). Song for voice accompanied by piano. Lyrics by P. Brovka.\r\n Autograph <\/dt>\r\n \r\n <\/td>\r\n 1943 <\/td>\r\n 99\/3<\/td>\r\n 32\/1-3<\/td>\r\n <\/tr>\r\n
Pukst G.K.<\/td>\r\n ‘Oy, Lyasy Maye, Palyany<\/em>‘. Partisans song. Song for chorus accompanied by\r\n piano. Lyrics by A. Astreiko <\/dt>\r\n \r\n <\/td>\r\n 1940’s<\/td>\r\n 10\/1<\/td>\r\n 51\/21-22<\/td>\r\n <\/tr>\r\n
Sokolovsky N.F.<\/td>\r\n ‘Pomnyu Tyya Rosy’, ‘Oy, Ty Kazache’, ‘Zamuzh Paistsi-Treba Znats’, ‘Oy, Rana na\r\n Ivana’, ‘Za Lyutymi Marozami’<\/em>. Belarusian folk songs arranged for voice and piano.\r\n Autograph <\/dt>\r\n \r\n <\/td>\r\n 1943 <\/td>\r\n 99\/3<\/td>\r\n 46-49<\/td>\r\n <\/tr>\r\n
Tikotsky E.K.<\/td>\r\n ‘Pesnya Partyzana<\/em>‘. For voice accompanied by piano. Lyrics by A. Belevich.\r\n Autograph <\/dt>\r\n \r\n <\/td>\r\n 25 May 1942 <\/td>\r\n 99\/3<\/td>\r\n 59\/1-2<\/td>\r\n <\/tr>\r\n
Tikotsky E.K.<\/td>\r\n Nocturne for cello and piano. Opus 21. Autograph <\/dt>\r\n \r\n <\/td>\r\n 1 November 1941 <\/td>\r\n 181\/1<\/td>\r\n 25\/1-5<\/td>\r\n <\/tr>\r\n
Tikotsky E.K.<\/td>\r\n ‘Belaruskay Dzyauchyne<\/em>‘ (for high voice) lyrics by A. Volsky, ‘Dve Byarozy<\/em>‘\r\n (for medium voice) lyrics by A. Astreiko. Romance songs for voice accompanied by piano.\r\n Autograph <\/dt>\r\n \r\n <\/td>\r\n 18 September 1942 <\/td>\r\n 181\/1<\/td>\r\n 56\/1-3<\/td>\r\n <\/tr>\r\n
Tikotsky E.K.<\/td>\r\n ‘Da Matsi’<\/em> lyrics by P. Brovka, ‘U Kalodtsa<\/em>‘ lyrics by B. Turovsky, ‘My\r\n Vyzvalyats Tsyabe Idzyom’<\/em> lyrics by M. Mashara. Songs for high voice accompanied by\r\n piano. Manuscript. Autograph <\/dt>\r\n \r\n <\/td>\r\n 1942 <\/td>\r\n 181\/1<\/td>\r\n 65\/1-6<\/td>\r\n <\/tr>\r\n
Tikotsky E.K.<\/td>\r\n ‘Blagodarnost Stalinu’<\/em>. Symphony poem. Orchestra parts. Manuscript <\/dt>\r\n \r\n <\/td>\r\n 1942 <\/td>\r\n 181\/2<\/td>\r\n 18-19<\/td>\r\n <\/tr>\r\n
Tikotsky E.K.<\/td>\r\n ‘Klyatva Partyzana<\/em>‘. Ballad for bass accompanied by piano and orchestra. Lyrics\r\n by A. Astreiko. Autograph <\/dt>\r\n \r\n <\/td>\r\n 1942 <\/td>\r\n 181\/1<\/td>\r\n 49\/1-8<\/td>\r\n <\/tr>\r\n
Tikotsky E.K.<\/td>\r\n ‘Chyrynda’, ‘Ya Tabun Stseragu’, ‘Chamu Nadzeika?’, ‘A u Poli Vyarba<\/em>‘.\r\n Belarusian folk songs arranged for medium voice. Autograph <\/dt>\r\n \r\n <\/td>\r\n 1942-1945 <\/td>\r\n 181\/1<\/td>\r\n 76\/1-8<\/td>\r\n <\/tr>\r\n
Tikotsky E.K.<\/td>\r\n ‘Mother<\/em>‘. Song for high voice and piano. Lyrics by S. Marshak. Print edition <\/dt>\r\n \r\n <\/td>\r\n 1943 <\/td>\r\n 416\/1<\/td>\r\n 372\/4-5<\/td>\r\n <\/tr>\r\n
Tikotsky E.K.<\/td>\r\n ‘Respublika Nasha<\/em>‘. Song for chorus and piano. Lyrics by P. Brovka. Print\r\n edition <\/dt>\r\n \r\n <\/td>\r\n 1943 <\/td>\r\n 181\/1<\/td>\r\n 31\/1<\/td>\r\n <\/tr>\r\n
Tikotsky E.K.<\/td>\r\n ‘Pesnya o Burevestnike<\/em>‘. Heroic poem for bass, chorus and orchestra. Lyrics by\r\n M. Gorky. Manuscript <\/dt>\r\n \r\n <\/td>\r\n 8 May 1944 <\/td>\r\n 256\/1<\/td>\r\n 70\/1-8<\/td>\r\n <\/tr>\r\n
Tikotsky E.K.<\/td>\r\n ‘Alesya<\/em>‘. Opera in four acts, five scenes. Libretto by P. Brovka. Fragments.\r\n Score. Autograph <\/dt>\r\n \r\n <\/td>\r\n 1944 <\/td>\r\n 181\/2<\/td>\r\n 5-7<\/td>\r\n <\/tr>\r\n
Tikotsky E.K.<\/td>\r\n Final chorus from the opera Alesya<\/em>. Table song from Act IV. Clavier.\r\n Variations. Autograph <\/dt>\r\n \r\n <\/td>\r\n 1944 <\/td>\r\n 99\/3<\/td>\r\n 63\/1-3<\/td>\r\n <\/tr>\r\n
Tikotsky E.K.<\/td>\r\n ‘Dva Sontsy’, ‘Utaplyu Ya Gora’, ‘Partyzanam Palessya<\/em>‘. Songs for voice\r\n accompanied by piano. Lyrics by A. Astreiko, M. Mashara. Manuscript by T. Miansarova,\r\n print edition <\/dt>\r\n \r\n <\/td>\r\n [1945]<\/td>\r\n 416\/1<\/td>\r\n 375\/1-8<\/td>\r\n <\/tr>\r\n
Turankov A.E.<\/td>\r\n ‘Kvetka shchastsya’ (“Na Kupalle’)<\/em>. Opera. Solo and chorus parts. Acts II,\r\n III. Clavier. Manuscript\u00a0 <\/dt>\r\n \r\n <\/td>\r\n [1943-1944]<\/td>\r\n 206\/1<\/td>\r\n 7-12<\/td>\r\n <\/tr>\r\n
Churkin N.N.<\/td>\r\n ‘In Commemoration of the Great Patriotic War’<\/em>. Suite for symphony orchestra.\r\n Clavier. Autograph <\/dt>\r\n \r\n <\/td>\r\n 1945 <\/td>\r\n 256\/1<\/td>\r\n 71\/1-9<\/td>\r\n <\/tr>\r\n
Shneiderman M.E.<\/td>\r\n ‘My idyom, Belarus’<\/em>. Song for voice accompanied by piano. Lyrics by B.\r\n Turovsky. Autograph <\/dt>\r\n \r\n <\/td>\r\n [1941-1942]<\/td>\r\n 284\/1<\/td>\r\n 57\/1-6<\/td>\r\n <\/tr>\r\n
Shneiderman M.E.<\/td>\r\n ‘Zashchitniki Rodiny<\/em>‘. Song for chorus accompanied by piano. Lyrics by B.\r\n Turovsky. Manuscript. <\/dt>\r\n \r\n <\/td>\r\n [1941-1943]<\/td>\r\n 284\/1<\/td>\r\n 38\/1-3<\/td>\r\n <\/tr>\r\n
Shneiderman M.E.<\/td>\r\n ‘Zashchitnikam Moskvy<\/em>‘. Song for solo and chorus accompanied by piano. Lyrics\r\n by B. Turovsky. Variations. Autograph. Manuscript\u00a0 <\/dt>\r\n \r\n <\/td>\r\n [1941-1945]<\/td>\r\n 284\/1<\/td>\r\n 38\/4-5<\/td>\r\n <\/tr>\r\n
Shneiderman M.E.<\/td>\r\n ‘Oy, Lyatseli Gusi<\/em>‘. Ballad for voice accompanied by piano. Lyrics by E.\r\n Ognetsvet. Variation. Autograph <\/dt>\r\n \r\n <\/td>\r\n 5 December 1942 <\/td>\r\n 284\/1<\/td>\r\n 107\/1-3<\/td>\r\n <\/tr>\r\n
Shneiderman M.E.<\/td>\r\n ‘Net, Ne Znaesh Ty, Gitler, Slavyanskoy Porody<\/em>‘. Song for voice and piano.\r\n Lyrics by V. Lebedev-Kumach. Variations. Manuscript <\/dt>\r\n \r\n <\/td>\r\n 1942 <\/td>\r\n 284\/1<\/td>\r\n 58-59<\/td>\r\n <\/tr>\r\n
Shneiderman M.E.<\/td>\r\n ‘Oy , u Poli Niuka’, ‘Zyazyulenka’, ‘A u Poli Vyarba’, ‘Tseraz Sad Vinagrad’,\r\n ‘Tsimokh’, ‘Yanka’, ‘Tsi Usyo zh Tyya Chobaty’, ‘U Goradze za Mlynam…<\/em>‘ Belarusian\r\n folk songs arranged for voice and piano\u00a0 <\/dt>\r\n \r\n <\/td>\r\n 1942-1945<\/td>\r\n 284\/1<\/td>\r\n 132-135, 137, 139, 141-142<\/td>\r\n <\/tr>\r\n
Shneiderman M.E.<\/td>\r\n ‘Bulba<\/em>‘. Belarusian folk dance. Arranged for piano. Manuscript <\/dt>\r\n \r\n <\/td>\r\n 21 September 1943 <\/td>\r\n 284\/1<\/td>\r\n 149\/1-2<\/td>\r\n <\/tr>\r\n
Shneiderman M.E.<\/td>\r\n ‘My Snova Vstretilis s Toboy<\/em>‘. Song for voice and piano. Lyrics by M.\r\n Lermontov. Autograph <\/dt>\r\n \r\n <\/td>\r\n 19 April 1943 <\/td>\r\n 284\/1<\/td>\r\n 64\/1-2<\/td>\r\n <\/tr>\r\n
Shneiderman M.E.<\/td>\r\n ‘Rubanyom<\/em>‘. Song for voice and piano. Lyrics by Belarusian partisans. Rough\r\n autograph. <\/dt>\r\n \r\n <\/td>\r\n 9 June 1943 <\/td>\r\n 284\/1<\/td>\r\n 63\/1-2<\/td>\r\n <\/tr>\r\n
Shneiderman M.E.<\/td>\r\n ‘Vals No 2’<\/em>. Play for piano. Manuscript <\/dt>\r\n \r\n <\/td>\r\n 1944 <\/td>\r\n 284\/1<\/td>\r\n 4\/1-3<\/td>\r\n <\/tr>\r\n
Shneiderman M.E.<\/td>\r\n ‘Slava<\/em>‘. Song for chorus and piano. Lyrics by V. Shakhray. Autograph <\/dt>\r\n \r\n <\/td>\r\n 10 June 1945 <\/td>\r\n 284\/1<\/td>\r\n 41\/1-2<\/td>\r\n <\/tr>\r\n
Shneiderman M.E.<\/td>\r\n ‘Partizanka’.<\/em> Ballad for voice and symphony orchestra. Lyrics by S.\r\n Shchipachev. Score at variations. Autograph <\/dt>\r\n \r\n <\/td>\r\n 1940’s<\/td>\r\n 284\/1<\/td>\r\n 33\/1-13<\/td>\r\n <\/tr>\r\n
Shcheglov N.N.<\/td>\r\n ‘Knyaz Izyaslau Polatski<\/em>‘. Opera. Fragments from Acts I-IV. Clavier. Libretto\r\n by N. Arsenyeva. Autograph <\/dt>\r\n \r\n <\/td>\r\n [1943-1944]<\/td>\r\n 10\/1<\/td>\r\n 91\/1-6<\/td>\r\n <\/tr>\r\n
Shcheglov N.N.<\/td>\r\n ‘Lyasnoye Vozera<\/em>‘. Opera. Fragments from Acts III and IV. Clavier. Libretto by\r\n N. Arsenyeva. Autograph <\/dt>\r\n \r\n <\/td>\r\n [1943-1944]<\/td>\r\n 10\/1<\/td>\r\n 90\/1-4<\/td>\r\n <\/tr>\r\n<\/table>\r\n

Documents relating to the life and activity of Belarusian composers<\/h2>\r\n\r\n \r\n\r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n

Document name <\/strong><\/td>\r\n

Document date<\/strong><\/td>\r\n

Fond\/Inventory number<\/b><\/td>\r\n

File\/Folio number<\/b> <\/td>\r\n<\/tr>\r\n

Playbill for the concert of symphony works by the Belarusian\r\n composers N.I. Aldanov, A.V. Bogatyrev, V.A. Zolotarev, G.K. Pukst, and E.K. Tikotsky at\r\n the Moscow State Philharmonics <\/td>\r\n 13 March 1944 <\/td>\r\n 10\/1<\/td>\r\n 174\/1<\/td>\r\n <\/tr>\r\n
Documents certifying the participation of \u041c.\u0410. Berger\r\n at the Belarusian Frontline Concert Brigade <\/td>\r\n 1941<\/td>\r\n 256\/1<\/td>\r\n 53\/1-8<\/td>\r\n <\/tr>\r\n
Photos of M.A. Berger among the staff of the evacuation \r\n hospital 45-54<\/td>\r\n 1943<\/td>\r\n 256\/1<\/td>\r\n 85\/1-2<\/td>\r\n <\/tr>\r\n
Documents concerning the resumption of work of the Belarusian\r\n State Conservatory in the city of Saratov (presented by M.A. Berger) <\/td>\r\n 1943 <\/td>\r\n 256\/1<\/td>\r\n 16-18, 31-32, 38<\/td>\r\n <\/tr>\r\n
Letters by A.V. Bogatyrev to V.A. Zolotarev <\/td>\r\n \r\n 1 August 1941 –<\/dt>\r\n 11 February 1943 <\/dt>\r\n \r\n <\/td>\r\n 134\/1<\/td>\r\n 54\/1-11<\/td>\r\n <\/tr>\r\n
Photo of G.M. Vagner<\/td>\r\n 1941 <\/td>\r\n 255\/1<\/td>\r\n 129 <\/td>\r\n <\/tr>\r\n
Extract from the directive for the garrison of Stalinabad\r\n (Dushanbe) with words of gratitude to G.M. Vagner for his active work in the cultural life\r\n of the army units <\/td>\r\n 24 November 1941 <\/td>\r\n 255\/1<\/td>\r\n 88\/1<\/td>\r\n <\/tr>\r\n
Letters by V.A. Zolotarev to G.K. Pukst <\/td>\r\n 24 December 1944 – 24 August 1945<\/td>\r\n 10\/1<\/td>\r\n 188\/1-3<\/td>\r\n <\/tr>\r\n
Letter by V.V. Olovnikov to V.A. Yefimov <\/td>\r\n 9 May 1945 <\/td>\r\n 134\/1<\/td>\r\n 59\/1<\/td>\r\n <\/tr>\r\n
\r\n Article by S. Korev “New Combat Songs” with the mention of \r\n S.V. Polonsky. Newspaper clip <\/dt>\r\n \r\n <\/td>\r\n 28 August 1941 <\/td>\r\n 30\/1<\/td>\r\n 409\/2<\/td>\r\n <\/tr>\r\n
Honour diplomas given to S.V. Polonsky for his cultural work\r\n in the Red Army units<\/td>\r\n 1942-1943<\/td>\r\n 30\/1<\/td>\r\n 411\/6-7<\/td>\r\n <\/tr>\r\n
Letter by E.K. Tikotsky to V.A. Efimov <\/td>\r\n 15 July 1942 <\/td>\r\n 134\/1<\/td>\r\n 62<\/td>\r\n <\/tr>\r\n
The BSSR Opera Theatre playbills and posters for concerts with\r\n M.E. Shneiderman as a conductor <\/td>\r\n 1942-1944<\/td>\r\n 284\/1<\/td>\r\n 157\/1-8<\/td>\r\n <\/tr>\r\n
Concert playbills with works by M.E. Shneiderman <\/td>\r\n 1942-1944 <\/td>\r\n 284\/1<\/td>\r\n 158\/1-11<\/td>\r\n <\/tr>\r\n
Articles “To the concert of the Belarusian art”,\r\n “Before the beginning of the theatrical season”, and “Rebirth of the opera\r\n theatre” with the mention of M.E. Shneiderman <\/td>\r\n 1942-1945<\/td>\r\n 284\/1<\/td>\r\n 232\/2-5<\/td>\r\n <\/tr>\r\n
References and reports on the activities of M.E. Shneiderman\r\n in the Second World War <\/td>\r\n [1944-1945]<\/td>\r\n 284\/1<\/td>\r\n 191\/1-4<\/td>\r\n <\/tr>\r\n<\/table>\r\n","protected":false},"excerpt":{"rendered":"Works of Belarusian composers Author Name of work and type of document Date of creation Fond\/Inventory number File\/Folio number Berger \u041c.\u0410. ‘Pesnya ab shchastsi’ (‘The Song of Happiness’). For voice…","protected":false},"author":1,"featured_media":0,"parent":327856,"menu_order":0,"comment_status":"closed","ping_status":"open","template":"","meta":{"footnotes":""},"class_list":["post-763849","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/archives.gov.by\/en\/wp-json\/wp\/v2\/pages\/763849"}],"collection":[{"href":"https:\/\/archives.gov.by\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/archives.gov.by\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/archives.gov.by\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/archives.gov.by\/en\/wp-json\/wp\/v2\/comments?post=763849"}],"version-history":[{"count":0,"href":"https:\/\/archives.gov.by\/en\/wp-json\/wp\/v2\/pages\/763849\/revisions"}],"up":[{"embeddable":true,"href":"https:\/\/archives.gov.by\/en\/wp-json\/wp\/v2\/pages\/327856"}],"wp:attachment":[{"href":"https:\/\/archives.gov.by\/en\/wp-json\/wp\/v2\/media?parent=763849"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}